
ANDREW HUNT / CONTEMPORARY PAINTING
The Beauty of What Remains.
Industrial remnants, contemporary markings, and the American landscape converge in paintings shaped by memory, material, and transformation.
SELECTED WORKS / THE HOT ROD SERIES
Original Paintings
Fragments of industrial history encounter the contemporary gesture. Weathered metal, graffiti, and open landscapes form a visual dialogue across ten one-of-a-kind paintings.










Each work is an original acrylic painting. Photographs depict the actual artwork; styled room images are illustrative. Shipping is quoted separately for delivery within the contiguous United States.
FINE ART EDITIONS
Giclée Prints
The Hot Rod series, available as carefully produced physical fine-art prints. Choose an unframed print or request a tailored quote for our matte-black framed presentation.

Hot Rod 001 — Fine Art Giclée Print
From $175.00 · Unframed
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Hot Rod 002 — Fine Art Giclée Print
From $145.00 · Unframed
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Hot Rod 003 — Fine Art Giclée Print
From $175.00 · Unframed
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Hot Rod 004 — Fine Art Giclée Print
From $145.00 · Unframed
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Hot Rod 005 — Fine Art Giclée Print
From $125.00 · Unframed
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Hot Rod 006 — Fine Art Giclée Print
From $155.00 · Unframed
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Hot Rod 008 — Fine Art Giclée Print
From $195.00 · Unframed
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Hot Rod 009 — Fine Art Giclée Print
From $155.00 · Unframed
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Hot Rod 010 — Fine Art Giclée Print
From $155.00 · Unframed
Explore printFraming and delivery are quoted individually before payment. Available within the contiguous United States.
A contemporary language written upon the past.
My paintings explore the evolving relationship between memory, landscape, and the objects we leave behind.
Abandoned automobiles and rural structures become quiet monuments within the American landscape. Their weathered surfaces carry accumulated histories: rust, fading paint, and graffiti coexist as evidence of time, human presence, and transformation.
Working in layered acrylic, I bring expressive abstraction into dialogue with representational realism. The contrast between open landscapes and richly marked surfaces creates a tension between stillness and intervention, permanence and change.
These works are not elegies for what has disappeared. They are reflections on what remains—and how the passage of time continually reshapes its meaning.
— Andrew Hunt